FULL PROGRAM
ACADEMIC PROGRAM – FULL SCHEDULE
ACADEMIC PROGRAM – TABLE
PROCEEDINGS
• Please note that the schedule is subject to change in accordance with circumstances.
23 MAY (Fri)
24 MAY (Sat)
25 MAY (Sun)
26 MAY (Mon)
27 MAY (Tue)
28 MAY (Wed)
29 MAY (Thu)
DAILY SCHEDULE – 23 MAY (Fri)
| SEOUL ARTS CENTER | SNU | ||||
|---|---|---|---|---|---|
| Jayu Theater |
Hangaram Design Museum |
Hangaram Design Museum | Seoul
Calligraphy Art Museum | SNU Museum of Art | |
| 09:00 – 10:00 | |||||
| 10:00 – 16:00 | Performance & Screening | Exhibition | Exhibition | Exhibition | |
| 16:00 – 19:00 | Exhibition Opening & Focus Québec Reception | ||||
| 17:00 – 18:00 | |||||
| 18:00 – 19:00 | |||||
DAILY SCHEDULE – 24 MAY (Sat)
| SEOUL ARTS CENTER | SNU | ||||
|---|---|---|---|---|---|
| Jayu Theater |
Hangaram Design Museum |
Hangaram Design Museum | Seoul Calligraphy Art Museum | SNU Museum of Art | |
| 09:00 – 10:00 | |||||
| 10:00 – 15:00 | Performance & Screening | Exhibition | Exhibition | Exhibition | |
| 15:00 – 17:00 | Nabi School The Legend Map: Seoul | ||||
| 17:00 – 18:00 | |||||
| 18:00 – 19:00 | |||||
| 19:00 – 22:00 | Opening Ceremony @ Mood Anchor, Some Solvit | ||||
DAILY SCHEDULE – 25 MAY (Sun)
| SEOUL ARTS CENTER | SNU | SOGANG UNIVERSITY | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Seoripul Gallery |
Jayu Theater |
Hangaram Design Museum, Seoul Calligraphy Art Museum | Hangaram Design Museum | SNU Museum of Art | Xavier Hall (X417) | Xavier Hall (X427) | Xavier Hall (X512) | Xavier Hall (X513) | Xavier Hall (X514) | |||
| 09:00 – 10:00 | Registration | |||||||||||
| 10:00 – 13:00 | Performance & Screening | Exhibition | Exhibition | Workshop 711 | Workshop 457 | Workshop 693 | Workshop 880 | |||||
| 13:00 – 14:00 | ||||||||||||
| 14:00 – 15:00 | 2025 Seocho × ISEA Young Artists MEET-UP | |||||||||||
| 15:00 – 17:00 | Nabi School The Legend Map: Seoul | Workshop 519 | Workshop 684 | Workshop 665 | Workshop 774 | |||||||
| 17:00 – 18:00 | ||||||||||||
| 18:00 – 19:00 | ||||||||||||
WORKSHOP – 25 MAY (Sun)
| Venue | Session Type | Time | Title | |
|---|---|---|---|---|
| Sogang University / X417 | Workshop | 10:00 – 13:00 | 711. | Reworlding: Play the World we want Troy Innocent (RMIT future play lab.) |
| Sogang University / X427 | 10:00 – 13:00 | 457. | Neural Radiance Fields for Media Arts: Novel Methods of Capturing and Reconstruct- ing Reality for 3D and Video Use Cases Lukasz Mirocha (Hong Kong Baptist University) | |
| 15:00 – 18:00 | 519. | Embodied Futures: Navigating Body, Technology, and Belonging Santiago Tavera (Assistant Professor, Concordia University) Laura Acosta (PhD Humanities, Concordia University) Sabina Gámez (MFA graduate student, Concordia University) | ||
| Sogang University / X512 | 10:00 – 13:00 | 693. | Intermedia Scoring and Data Polysensualization: Sensing the Latent Jean-Michaël Celerier (Société des Arts Technologiques, Montréal, QC) Brice Ammar-Khodja (Concordia University, Montréal / École Nationale des Arts Décoratifs de Paris – PSL University) | |
| 15:00 – 18:00 | 684. | AAAA: Actors, AI, Algorithms, and Arts – Envisioning the Future of the Stage Sora Kang, Kay Lee (Seoul National University) | ||
| Sogang University / X513 | 15:00 – 18:00 | 665. | The Sari-Sari Xchange “Assetory”: 3D Assets for Story-telling & Community Taien Ng-Chan (York University), Carmela Laganse (McMaster University) Sana Akram (York) Serena Zena & Arturo Jimenez (McMaster) | |
| Sogang University / X514 | 10:00 – 13:00 | 880. | The Art of (Re)search – Comparing, Contemplating and Critiquing Search Results Renée Ridgway (Post-Doc Aarhus University) Anders Visti (Artist Programmer) | |
| 15:00 – 18:00 | 774. | XR Video Kit: Create XR Interactive Videos for Apple Vision Pro Dasom kim (Sogang University) | ||
DAILY SCHEDULE – 26 MAY (Mon)
| SEOUL ARTS CENTER | SEOUL NATIONAL UNIVERSITY | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
Jayu Theater |
Hangaram Design Museum, Seoul Calligraphy Art Museum |
Cosmos Hall Gwanheo (SNU Building 28) | SNU Museum of
Art (SNU Building 151) | Power Plant
(SNU Building 68) | Sports
Education and Research Building (SNU Building 71-1) | Woosuk
Economic Hall (SNU Building 223) | ||||||||
| Exhibition Hall | Auditorium | Lecture Hall | Room 206 | Room 212 | Room 207 | Room 206 | Room 208 | Room 504 | Room 505 | |||||
| 09:00 – 10:00 | Registration | |||||||||||||
| 10:00 – 11:20 | Closed on Monday | Closed on Monday | Screening (TBD) | Exhibition | 5th Summit On New Media Art Archiving (10:00 – 11:25) | Artist Talk 1 | Full Paper Algorithms Creative Coding1 | Full Paper Artistic Research1 | Full Paper Artificial Intelligence1 | Poster | Full Paper Cultural Heritage3 | Full Paper HCI / BCI | ||
| 11:20 – 13:00 | Lunch Break | |||||||||||||
| 13:00 – 14:00 | Keynote Transmattering- Yunchul Kim | |||||||||||||
| 14:00 – 14:20 | Break | |||||||||||||
| 14:20 – 15:40 | 5th Summit On New Media Art Archiving (14:20 – 15:45) | Korean A&T Institution Presentation (14:20 – 15:45) | Artist Talk 2 | Full Paper Algorithms Creative Coding2 | Full Paper Artistic Research2 | Full Paper Artificial Intelligence2 | Poster | Full Paper Data AI Art | Full Paper History and Philosophy | Full Paper Animation / Film / Video1 | ||||
| 15:40 – 16:00 | Tea Break | |||||||||||||
| 16:00 – 17:20 | 5th Summit On New Media Art Archiving (16:00 – 17:25) | Focus Québec (16:00 – 17:25) | Artist Talk 3 | Full Paper Altered Reality1 | Full Paper Bio-art / Artificial Life1 | Full Paper Artificial Intelligence3 | Poster | Full Paper Data Visualization and Analysis | Full Paper Installation Performance | Full Paper Animation / Film / Video2 | ||||
| 17:20 – 18:00 | ||||||||||||||
| 18:00 – 19:00 | ||||||||||||||
| 19:00 – 22:00 | SOUND SEOUL
2025 @ Thila | |||||||||||||
SPECIAL INSTITUTION PRESENTATION – 26 MAY (Mon)
• Session 1. Korean A&T Institution Presentation
| Venue | Session Type | Time | Institution | Title |
|---|---|---|---|---|
| Seoul National University
Museum of Art / Lecture Hall |
Institution Presentation | 14:20 – 14:30 | Arts Council Korea – A•P•E CAMP | 100, CONNECTED. Woori Wang |
| 14:30 – 14:40 | National Asian Culture Center
– ACC Residency | A Creation & Production Platform: ACC CREATORS Residency Mihyun Jang | ||
| 14:40 – 14:50 | Korea Arts Management Service
– Arts Korea Lab | Title (TBD) Sue R. Lee | ||
| 14:50 – 15:00 | Seoul Foundation for Arts and
Culture – Unfold X | A Debut Platform for
Korean Technology-based Artists : Unfold X Festival(2010-2026), Seoul Foundation for Arts and Culture Hee-young Kim (Team Leader) | ||
| 15:00 – 15:10 | WeSA | SOUND SEOUL Jin Won Lee | ||
| 15:10 – 15:15 | Setting | |||
| Round Table | 15:15 – 15:45 | A&T Institution, Art Center Nabi | Round Table: the Art & Technology platform landscape in South Korea Speaker : Woori Wang, Mihyun Jang, Sue R. Lee, Hee-Young Kim, Jin Won Lee Moderator : Soh Yeong Roh | |
• Session 2. Focus Québec
| Venue | Session Type | Time | Institution | Title |
|---|---|---|---|---|
| Seoul National University
Museum of Art / Lecture Hall | Presentation | 16:00 – 16:10 | ELEKTRA | Artist Talk Chun Hua, Catherine Dong |
| 16:10 – 16:20 | ELEKTRA | Artist Talk Eyez Li | ||
| 16:20 – 16:30 | ELEKTRA | Artist Talk Louis-Philippe Demers | ||
| 16:30 – 16:40 | ELEKTRA | Artist Talk LP Rondeau | ||
| Round Table | 16:40 – 17:25 | ELEKTRA | When is an Art-Game not an Art Game? Speaker : Anna Eyler, Jess Marcotte, Jooyoung Oh, Sun Park Moderator : Lynn Hughes |
ARTIST TALK – 26 MAY (Mon)
| Venue | Session Type | Time | Title |
|---|---|---|---|
| SNU Power Plant | Artist Talk 1 |
10:00 – 11:20 | She Works, He Works: Exploring Gender Bias in AI-Generated Imagery Amalia Foka |
| How People Engage with Voice Interactive Media: Based on Responses to “Harmonious Echo” Yeoneui Kim | |||
| A.I. Meets Critical Media Art Jonah Brucker-Cohen | |||
| Tell Me About the Future: Probing Imagined Alternative Realities Us-ing Generative AI and Speculative Design Ray Lc | |||
| Artist Talk 2 |
14:20 – 15:40 | Total Archive: Science and the Collective Memory Sue Huang | |
| Pattern Language 2-253 Tivon Rice | |||
| Future City – The Evolution of Urban and Ecological Spaces in the Technological Age Marc Lee | |||
| Singularity Dadaism: Machines deconstructing semantics and human logic Predrag K. Nikolić | |||
| Artist Talk 3 |
16:00 – 17:20 | Crafting the Invisible: Emotional Spaces in Generative Abstract Art Rebecca Ruige Xu and Sean Zhai | |
| The Equivalents II, Text-to-Image Installation George Legrady | |||
| Soft Data and Common Wares Afroditi Psarra and Audrey Desjardins | |||
| Alma de tezontle – Tezontle´s soul Florencia Guillen Beltrán |
PAPER PRESENTATION – 26 MAY (Mon)
| Venue | Session Title | Time | Title |
|---|---|---|---|
|
SNU Building 71-1 / Room 206 | Algorithms / Creative Coding 1 |
10:00 – 11:20 | AUTO()Construccion: Live cinema coding concert and screening, using algorithmic-music- driven video game animation, and machine learning. Ivan Abreu and Malitzin Cortes |
| From Machine Vision to Cultural Divination: Radical Readings of QR Codes Hugh Davies | |||
| Rethinking Algorithms in Art Tanya Ravn Ag | |||
| The Anticipatory Space: Composite Intentionality in Digital Fabrication Daniel Stempfer and Tobias Klein | |||
| Algorithms / Creative Coding 2 |
14:20 – 15:40 | GAPTCHAs: Playful Exploration of the Limitations of Human Verification CAPTCHAs Lin Wang, Yidan Hong, Jiayu Liu, Linqi Sun and Ray Lc | |
| Dimensional Fluctuation: A Rule-based Visual System for Geometric Universe Shaoyu Su | |||
| Transportation Dreams and Imaginary Journey – on Technology, Automation and the World Laura Beloff | |||
| Flying Through Ancestral Myths with Cloud-Like Garments: Algorithms, Technological Hybridization & Techno-Heritage as a Tools of Digital Decolonization Elena Giulia Abbiatici and Valentina Gioia Levy | |||
| Altered Reality 1 (VR/AR/MR/XR) |
16:00 – 17:20 | Virtual Rebirth of Daoist Wonderland: Innovative Inheritance of Laoshan Culture in VR Shen-Shen Luo, Yuhe Xue and Qiyao Han | |
| Awakening the Water Spirits – A VR experience based on Hong Kong’s Shek Kip Mei Park Elke Reinhuber and Benjamin Seide | |||
| Can Code Outlove Blood? A LLM-based VR Experience to Prompt Reflection on Parental Verbal Abuse Jiaying Fu, Jialin Gu, Tianyue Gong and Tiange Zhou | |||
| Exploratory Study Using Sentimental Analysis to Investigate the Influential Factors of Virtual Idols Popularity Juncheng Wang | |||
|
SNU Building 71-1 / Room 212 | Artistic Research 1 |
10:00 – 11:20 | Virgin universes Sabine Julien |
| Volumetric Reflexive Ethnography: Mobilizing Motion Capture in Ethnographic Studies of Embodied Practice Victoria Mcarthur | |||
| Algomaterial assemblages: Conceptualising creative practice across human and machine intelligences Kate Geck | |||
| “I am”: Identity in Spaces Yati Sharma | |||
| Artistic Research 2 |
14:20 – 15:40 | New Methods in Curating Emerging Technologies: the ‘Constellations’ Exhibition Rewa Wright, Claire Tracey and Gavin Sade | |
| Lunar Resonance: An Interactive Installation for Self-Reflection and Subconscious Exploration Yijing Li, Siyu Yao, Wenhe Wang and Takuji Narumi | |||
| Interpreting Chaekgeori in the Digital Age: A Cinematic Exploration of Global Events at the Turn of the Year Jinkyung Her, Youngjun Choi and Jinjoon Lee | |||
| Shanshui in the Anthropocene: A Visual Study with Artificial Intelligence Aven-Le Zhou and Kang Zhang | |||
| Bio-art / Artificial Life 1 |
16:00 – 17:20 | Hidden Incidents of Animal Euthanasia: Exploring Kinship under Dominance and Affection Ziwei Wu, Danlu Fei, Burak Korkmaz, Xiaofu Jin, Wen You, Yifang Wang and Kang Zhang | |
| Carbon Farm Jiabao Li and Ben Evanson | |||
| Broken: A Multi-modal Interactive Experience To Support Psychological Capital Through Stress Breaking Mirna Zordan, Yuting Xue, Yong Zhao and Luwen Zhang | |||
| Situational Agency:The Framework for Designing Behavior in Agent-based art Ary-Yue Huang and Varvara Guljajeva | |||
|
SNU Building 223 / Room 207 | Artificial Intelligence 1 |
10:00 – 11:20 | Transcoded Ecologies: Natural and Artificial Cognitive Systems for Artistic Experimentation Johnny DiBlasi |
| Leveraging Generative AI Models to Explore Human Identity Yunha Yeo and Daeho Um | |||
| Braille of Visual Arts: AI-Driven Tactile Art and 3D Fabrication for Nostalgia, Imagination, and Dreams Xinyi Tang and Eunsu Kang | |||
| What does it mean to “/IMAGINE” with GenAI? Chloe McFadden | |||
| Artificial Intelligence 2 |
14:20 – 15:40 | Regenerative Aesthetics: Rethinking Originality in the Age of Generative AI Giovanna Bars Souza and Dr. Clarissa Ribeiro | |
| The AI Colonialism Board Game: Play as a Critical Artistic Medium and Method for Collaborative Speculation Alexia Achilleos | |||
| Immersive Art as a Medium to Reveal Technology and Ecology’s Complexities: Transforming Classical Painting Metaphors into Digital Media Practice Jieyuan Huang | |||
| Artificial Intelligence 3 |
16:00 – 17:20 | Mutability and Renewal: An Experience Report for the Transference of Performative Agent Behavior in Reinforcement Learning in ‘the Fold’ Alex Lee and Sofian Audry | |
| Endless Stream: Explainable AI through Self-Aware Synthetic Media Isaac Joseph Clarke and Theo Papatheodorou | |||
| The Dark Arts of Art: Generative AI as Caricature-Machine Tom Penney | |||
| Broken Letters, Broken Narratives: A Case Study on Arabic Script in DALL-E 3 Arshia Sobhan, Philippe Pasquier and Gabriela Aceves Sepúlveda | |||
|
SNU Building 223 / Room 208 | Cultural Heritage 3 |
10:00 – 11:20 | Echoes of Tai O: Reviving Lost Sounds Dan-Lu Fei, Ziwei Wu, Xinyu Ma and Kang Zhang |
| Literary Girls AI: Unearthing the Forgotten Voices of Korea’s Literary Girls Jooyoung Oh | |||
| Renaissance of Mogao Cave Art: Immersive VR Experiences for Heritage Preservation Yang Liu | |||
| The use of emerging digital technologies in architectural heritage sites in southern Italy: state of the field Minka Stoyanova and Naomi Pitamber | |||
| Data AI Art |
14:20 – 15:40 | Synthetic Punctum: AI-Generated Photography and the Reconstruction of Lost Moments Xuanyang Huang, Xiaoyun Zhong and David Kei-Man Yip | |
| How Artists Use AI as a Responsive Material for Art Creation Sonja Rozental, Michel van Dartel and Alwin de Rooij | |||
| AI Art from Latin America: searching for new horizons of co-existence Wolfgang Bongers | |||
| Exploring Postmodernism in AI Art: A Framework for GPT and Text-to-Image Models Hantian Xu and James She | |||
| Data Visualization and Analysis |
16:00 – 17:20 | RESPIRA: An Immersive Bio-metric Fractal Visualization System in Support of Diaphragmatic Breathing Training for Anxiety Management Yong Zhao, Luwen Zhang, Yunan Yang, Shenrujun Lin and Mirna Zordan | |
| Reimagining Digital History: Interactive Visualisation and New Narratives Danyun Liu and Andrea Nanetti | |||
| Blasting Off: Celestial Mechanics V Scott Hessels | |||
| RUINS OF THE VISIBLE: A DATA-CARTOGRAPHY INVESTIGATION OF WILDFIRES IN BRAZIL Fernanda Oliveira and Claudio Filho | |||
|
SNU Building 223 / Room 504 | HCI / BCI |
10:00 – 11:20 | Designing a Myth for Living on the Moon : Speculative design and cultural heritage Yiwen Tseng |
| The Resonant Rose: Brainwaves Blooming with Love Wen You, Tingyu Zhu, Junwei Li and Troy Tianyu Lin | |||
| Embodied Futures Design: A Methodological Framework for Co-design of Multisensory Wearables for Extimacy Kristin Neidlinger | |||
| Entangled, Symbiotic, Syncretic Living Interfaces: Divergent Technological Imaginaries in the Arts Paola Torres Nuñez del Prado | |||
| History and Philosophy |
14:20 – 15:40 | Curating through the Lens of Ancient Chinese Natural History Cognition Fiona You Wang, David Kei Man Yip and Kang Zhang | |
| Reimagining Okanagan Wetlands Through Speculative Design and Multispecies Justice: The Case of Beaver World Maria Correia, Amir Rahsaz, Sarah Alexis, Aleksandra Dulic and Patricia Lasserre | |||
| Disambiguation: Ambivalence and Desire as Dynamic Polar Affects in the Creative Process Marta Troicka | |||
| Star Upon a Wish: An AI-Transformed Wish-Making Experience Jisu Kim, Hyeyeon Lee and Kirak Kim | |||
| Installation / Performance |
16:00 – 17:20 | Speed-Remote-Connection: A Critical Analysis of Remote Co-Performance on Taiwan’s 5G Digital Performance Project Chih-Yung Chiu | |
| Navigating Home: The Building of Cross-cultural Place in Digital art. Annie Huang | |||
| Signs of Water – Mirror: a Reflection on Digital Narcissism and Extinction of Experience Kuan-Ju Wu, Tomomi Nitta, Duim Huh, Mikhail Mansion and Yasuaki Kakehi | |||
| Bridging Realms Experimental Prototypes for Real-Time Synchronous Performances in Virtual and Physical Spaces Tsun-Hung Tsai, Hsiang-Hua Chang, Bing-Chen Kao, Chun-Huang Lin, Chi-Hung Huang and Yi-Yen Chen | |||
|
SNU Building 223 / Room 505 | Animation / Film / Video 1 |
14:20 – 15:40 | Exploring Immersive Storytelling Experience: Utilizing 360-Degree Animation to Convey Social Issues Wing Yan Kwan |
| Language Is Leaving Me: An AI Cinematic Opera of The Skin Ellen Pearlman | |||
| Sketch2Motion: From Storyboard Sketches to Dynamic Visuals Jun-Ze Ma, Zhijun Ma and Pan Hui | |||
| Interwoven Ecosystems: Generative AI Landscapes for Ecological Advocacy Amalia Foka | |||
|
16:00 – 17:20 | A Hero’s Return – A performative installation utilizing real-time diffusion models Martin Froehlich, Stella Speziali and Christopher Salter | ||
| A Loop with Nine Lives: The Phenakistiscope’s Digital Rebirth as Animated GIF Guido Devadder, Steven Devleminck and Roel Vande Winkel | |||
| Digital Heritage and the Evolution of Sun Wukong in Journey to the West: A Transmedia Analysis of Chinese Film, Animation, and Video Game Aileen Sijia Meng and Qi’An Wang |
POSTER PRESENTATION – 26 MAY (Mon)
| Venue | Session Type | Time | Title |
|---|---|---|---|
|
SNU Building 223 / Room 206 | Poster |
10:00 – 17:20 | The Materiality of Emotion: Using Textures to Convey Character Emotions in 2D Animation. Quenna Summit Wong |
| Inter-GPS (Global PositioningSystem) Mi So Kim and Jungjo Na | |||
| The Coded Self, Infoborg: Autonomy and Critical Ontology in Digital Capitalism Chaeyoung Lee | |||
| Ditto: A Artificial Entity – Engaging with Historical Memory through an AI Conversational Agent Semi Kwon, Dasol Lee and Jusub Kim | |||
| Music in a bottle: An Active Listening AR App Featuring Musical Fragments Collage Jaesuk Lee and Jusub Kim | |||
| The Mobile Archive Charisse So and Jeffrey Shaw | |||
| Staging the Nonhuman : Agency of Nonhuman Performers Hyunmin Chun, Joonghyo Lim and Seokjin Han | |||
| AI and Audience Collaboration:Creating Participatory Animations Ji Yun Han and Yoo Mi Choi | |||
| Visual Art Education Through Conversational AI Curator Chaeyeon Lee, Chungnyeong Lee, Sangyong Kim, Yongsoon Choi and Jusub Kim | |||
| Overcoming Educational Barriers: Integrating Physical Computing with Wood Jigsaw Puzzles for an Interactive, Multi-Sensory, and Playable Learning Yeonhee Choi | |||
| Mil1lle-feuil1l1e: The Ambiguity of Multi-Layered Boundaries Myeong-Kyu Kim, Rae Yun Koo, Seon Kyung Son, Eun Soo Oh and Gwanwoo Hong | |||
| Exploratory analysis of user experience of AI-based VR content Yeji Kim, Eun-Hye Park, Seok Jin Han and Seungpyo Kang | |||
| HearTogether: An Interactive Musical Instrument Modulated by Heart Data and Interpersonal Connection Morgan Green and Emily Graber | |||
| Recomposed Seasons: An Immersive Encounter with Climate Change Ryeowon Kim, Minyong Shin, Jonghoon Byun and Kyungho Lee | |||
| How to Synchronize? – New Trends in Performing Electroacoustic Music Hyunmook Lim | |||
| A Study on Interactive Media Art Using Face Recognition for Experiencing Echo Chamber Effect Jungwoo Kim |
DAILY SCHEDULE – 27 MAY (Tue)
| SEOUL ARTS CENTER | SEOUL NATIONAL UNIVERSITY | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
Jayu Theater |
Hangaram Design Museum, Seoul Calligraphy Art Museum |
Cosmos Hall Gwanheo (SNU Building 28) | SNU Museum of
Art (SNU Building 151) |
Power Plant (SNU Building 68) | Sports
Education and Research Building (SNU Building 71-1) | Woosuk
Economic Hall (SNU Building 223) | ||||||||
| Exhibition Hall | Auditorium | Lecture Hall | Room 206 | Room 212 | Room 207 | Room 206 | Room 208 | Room 504 | Room 505 | |||||
| 09:00 – 10:00 | Registration | |||||||||||||
| 10:00 – 11:20 | Performance & Screening | Exhibition | Screening (TBD) | Exhibition | 5th Summit On New Media Art Archiving (10:00 – 11:25) | Barriers and Alienation in Art x Tech Education (10:00 – 11:45) | Artist Talk 4 | Full Paper Altered Reality2 | Full Paper Transmedia Storytelling | Full Paper Artificial Intelligence4 | Poster | Full Paper Digital Fabrication / Physical Computing | Full Paper Collective Action / Community2 | |
| 11:20 – 13:00 | Lunch Break | |||||||||||||
| 13:00 – 14:00 | Keynote Art in the Age of Artificial Intelligence: Revenant, the One Who Returns – Sang Yong Sim | |||||||||||||
| 14:00 – 14:20 | Barriers and Alienation in Art x Tech Education (14:00 – 18:00) | Break | ||||||||||||
| 14:20 – 15:40 | 5th Summit On New Media Art Archiving (14:20 – 15:45) | Artist Talk 5 | Full Paper Altered Reality3 | Panel | Full Paper Artistic Research1 | Poster | Full Paper Digital Heritage | Full Paper More than Human | Full Paper Art-Science- Technology1 | |||||
| 15:40 – 16:00 | Tea Break | |||||||||||||
| 16:00 – 17:20 | Artist Talk 6 | Full Paper Altered Reality4 | Institutional Presentation | Full Paper Bio-art / Artificial Life2 | Poster | Full Paper Future City | Full Paper Music Computing / Sound Art1 | Full Paper Art-Science- Technology2 | ||||||
| 17:20 – 18:00 | ||||||||||||||
| 18:00 – 19:00 | ||||||||||||||
| 18:30 – 21:00 | Mystery
Night @ Namsan XR Studio | |||||||||||||
ARTIST TALK – 27 MAY (Tue)
| Venue | Session Type | Time | Title |
|---|---|---|---|
| SNU Power Plant | Artist Talk 4 |
10:00 – 11:20 | A Needle in a Haystack Varvara Guljajeva and Mar Canet Sola |
| This is Not a Game Linda Loh | |||
| Divination/Computation Games
Hugh Davies | |||
| Water Weaving Light Nobuho Nagasawa | |||
| Artist Talk 5 |
14:20 – 15:40 | Animating Death: Choreographies of
Falling and Dying in
Interactive Performance COMMIT! Kate Ladenheim | |
| Clay PCB – Eco-Feminist Decolonial
Hardware Patricia Reis and Stefanie Wuschitz | |||
| Matière Première/ Raw Material:
Reimagining the Self as an
Environment in Extended Reality (XR). Yan Breuleux | |||
| Music, AI, and Ecology – A New
Horizon of Listening Bertin Antoine | |||
| Artist Talk 6 |
16:00 – 17:20 | EverForest Botao Amber Hu and Fang Ting | |
| Hyper-Minds and Hybrid Worlds: A
Poetic Reflection on
Symbiosis, Synchrony, and Entangled Futures Dagmar Schürrer | |||
| “Somoure”: Integrating Artistic
Research into Assistive
Robotics and Technology as a Practice of Care Mónica Rikić | |||
| Decision & Action: Behavioral AI
in Systems Artworks
Angela Ferraiolo |
INSTITUTIONAL PRESENTATION – 27 MAY (Tue)
| Venue | Session Type | Time | Title |
|---|---|---|---|
|
SNU Building 71-1 / Room 212 | Institutional Presentation 1 | 16:00 – 17:20 | A Possible Path to Sustainable
Futures Through the
Transdisciplinary Encounter Between Art and Science: The Balance-Unbalance Project
Ricardo Dal Farra |
| Fostering Digital Creation in Multicultural and Transnational Contexts Matthieu Quiniou, Everardo Reyes, Imad Saleh, Samuel Szoniecky, Khaldoun Zreik | |||
| Future Cinema Systems: Finding Creative Solutions Jeffrey Shaw and Charisse So | |||
| Immersive Arts Space @ the Zurich University of the Arts: Critical Technical Practice in a Hybrid Art-Technology-Society Laboratory Christopher Salter |
PANEL DISCUSSION – 27 MAY (Tue)
| Venue | Session Type | Time | Title |
|---|---|---|---|
|
SNU Building 71-1 / Room 212 | Panel Discussion 1 | 14:20 – 15:40 |
Who creates the
future? Data control systems
meet artistic speculation. Melanie Wilmink, Joel Ong and Younghui Kim |
|
Site specific
digital interventions:
cultural heritage and community placemaking Minka Stoyanova, Naomi Pitamber, John Garton, Kimberly Bianca and Marcus Brown |
PAPER PRESENTATION – 27 MAY (Tue)
| Venue | Session Title | Time | Title |
|---|---|---|---|
|
SNU Building 71-1 / Room 206 | Altered Reality 2 (VR/AR/MR/XR) | 10:00 – 11:00 | Wired – Gosiwon: Imperfection and
Digital Simulation in Cinematic VR Sojung Bahng and Mike Lukaszuk |
| Ocean of Memories: Raising Marine
Awareness through Creativity and Augmented Reality Kylee Friederichs, Dorothy Chan, Lucy Yao and Edgar Rojas | |||
| ARGhost: Envisioning Sonic Heritage
Preservation through \AR Interactive Sound Design Game Jaeran Choi, Jiyun Park and Juhan Nam | |||
| Altered Reality 3 (VR/AR/MR/XR) |
14:20 – 15:40 | The Bitter Truth: Virtual Reality
Life Review Experience Mojde Kalantari, Kristin Carlson, Simone Downie and Alex Hashemi | |
| Immersive media in social contexts:
urban, indigenous and afro communities. Julián Jaramillo, Minerva Campion Canelas, Javier Alejandro Rodríguez-Camacho, Simón Calle-Alzate and Jaime Andrés Pavlich-Mariscal | |||
| Enhancing Immersive Art Appreciation
through AI-Generated Personalized Stories Sieun Park and Jusub Kim | |||
| Composable Life: Speculation for
Decentralized AI Life Botao Amber Hu and Fang Ting | |||
| Altered Reality 4 (VR/AR/MR/XR |
16:00 – 17:20 | Atlas cartographies, or how to
never-be Swantje Martach, Marlene Bart and Cecilia Falkman | |
| Creative Ecologies Research Cluster: A model for place-based creative practice, community engagement and reciprocity in in Australia Leah Barclay, Tricia King, Toby Gifford, Megan Williams, Marcia Grimm, Janine Fuller, Finley Wegener, Graham Beaumont and Joseph Burgess | |||
| Shower-thoughts: An immersive VR experience about mind wandering during showering Yuxuan Bai, Elke Reinhuber and Ray Lc | |||
| Social VR and the Paradox of Connection: How Communication Barriers Enhance Interaction Hyun Cho and Bernhard. E Riecke | |||
|
SNU Building 71-1 / Room 212 | Transmedia Storytelling |
10:00 – 11:20 | The Dream Within Huang Long Cave: AI-Driven Interactive Narrative for Family Storytelling and Emotional Reflection Jiayang Huang, Lingjie Li, Kang Zhang and David Yip |
| ÂLEM: A Tapestry of Consciousness and Nomadic Identity in the Creators’ Universe Joshua Nijiati Alimujiang, James Pei Man She and David Kei Man Yip | |||
| Immersive Fantasy Based on Digital Nostalgia : Environmental Narratives for the Korea’s Millennials and Gen Z Yerin Doh and Joonhyung Bae | |||
| Concrete Writing with Proteins Mihye An | |||
|
SNU Building 223 / Room 207 | Artificial Intelligence 4 |
10:00 – 11:20 | Comparison of
AI-Based Video Generation
Methods: Focusing on the Short Film “ERROR” Chang Gi Lee |
| Performing GPT-ME:
Insights into the Future of
Human-AI Integration Avital Meshi | |||
| Enhancing AI Prompt Engineering for Korean Folk Guardia Art – With Jangseung and Dolharbang at the center – Jihyun Moon and Taein Choi | |||
| Collaborating with the Machine: Potentials and Risks of Human-AI Collaboration Maximilian Eder | |||
| Artistic Research 1 |
14:20 – 15:40 | The Variable Materialities of Conceptual and Digital Art: Circulating in Contemporary Art Markets and Digital Economies Ashley Lee Wong | |
| Amulte: The application of Techno-religious artifacts in immersive walking performances Yu-Hsiung Huang and Yiquan Chen | |||
| Basic Rules and Canon in Contemporary and Digital Art Raivo Kelomees | |||
| Communication of Handwritten Signatures – From Visual Studies to Signature Image Clouds and Software-Generated Performance Solvita Zarina | |||
| Bio-art / Artificial Life 2 |
16:00 – 17:20 | Consuming Our Consumption Anya Koehne, Annan Zuo and Jiabao Li | |
| Cybroc: Augmented Exertion for Longevity Ke Huang, Yue Zhou, Xi He, Weibo Chen and Botao Amber Hu | |||
| Extreme Skincare: Two Case Studies in Biomedia Art Olga Majcen Linn and Sunčica Ostoić | |||
| SOMA. An implementation of a biological neural network as a control chip for robotics in the context of contemporary art. Jaime Alonso Lobato Cardoso | |||
|
SNU Building 223 / Room 208 | Digital Fabrication / Physical Computing |
10:00 – 11:20 | Study on developing
edutainment contents about
the threat of climate change to biodiversity Seung-Yo Lee, Hyun-Jung Yu, Mina Kwon, Eun-Hye Shim, Ran-Hee Kim, Se-Hyeon Jeon, Seo-Jin Yang, So-Hee Im, So-Hyun Lim, So-Ram Bae and Yi Sun |
| SILICONE DREAM: A soft shape display
system Jenni Hutson and Marko Peljhan | |||
| MorphPoesis: Emergence of
Morphological Surfaces Through
Thermal Morphogenesis Ziyuan Jiang, Ruoqi Li, Yahui Lyu, Yizhang Chen, Xiaohan Fang and Yasuaki Kakehi | |||
| Behind the Molecules: An alternative
data visualization to
critic chemicals abuse in food production Hanlu Ma, Ziwei Wu, Mengying Du, Burak Korkmaz, Xiaofu Jin, Yifang Wang and Huamin Qu | |||
| Digital Heritage |
14:20 – 15:40 | More-than-Human Futures: How Art Reimagines Places for Living Together Isabella Altoé | |
| Looking <Sunghaksipdo VR> in the Perspective of Cosmo-aesthetics Wonjean Lee and Hyun Jean Lee | |||
| Mourning Dew: Storytelling of Nectar Ritual Painting through the Digital Moktak Dana Kim, Youngjun Choi and Jinjoon Lee | |||
| Immersive Interactive Space: A New Digital Practice for Beijing Opera Xin Tang, Mingjie Chen, Houjie Yu and Qiao Feng | |||
|
16:00 – 17:20 | ANIMO: Wildlife Priority Mode Jiabao Li | ||
| hopepunk: methods for entangling urban play with future cities Troy Innocent | |||
| Dancing Bear: Social Ties in Performance with Mobile Media Nick Atkins, Andrew Johnston and Baki Kocaballi | |||
| Luminous Melody: Interactive Light Cave with AI Based Audience Sentiment Analysis Dasom Kim, Chanki Kim and Jusub Kim | |||
|
SNU Building 223 / Room 504 | Collective Action / Community 2 |
10:00 – 11:20 | Oscilla: Voice-Driven Play with Analog Aesthetics and Digital Interactivity Xindi Kang, Joann Kuchera Morin and David Kei Man Yip |
| Experimental methods for
being-with-place through urban play
Uyen Nguyen, Matthew Riley, Troy Innocent and Chris Barker | |||
| Multiple perspectives exhibition
through synchronization of
reality and virtuality: Focusing on augmented reality butterfly works Jihyun Seo and Dayoung Ju | |||
| SAUNA LAB: Towards Alternative
Knowledge Capital in the Climate
Change Era Inhwa Yeom | |||
| More than Human |
14:20 – 15:40 | Modeling Water Perspectivism into a
Digital Experience
Andrés Isaza-Giraldo, Paulo Bala, Terhi Marttila, Rafaela Nunes and Pedro Campos | |
| Bridging the Divide: Exploring
Relational Identity through
Multiple Dialogue Systems in Human-AI Engagement Yiyang Lu and David Kei Man Yip | |||
| Theatrical Language Processing: Exploring AI-Augmented Improvisational Acting and Scriptwriting with LLMs Sora Kang and Joonhwan Lee | |||
| Cultivating Biohybrid Artifacts: Reinventing Production Between Biopunk and Solarpunk Vivien Roussel, Teyssier Marc and Lucile Haute | |||
|
16:00 – 17:20 | LAV: Audio-Driven Dynamic Visual Generation with Neural Compression and StyleGAN2 Jongmin Jung and Dasaem Jeong | ||
| Disrupting Musical Behavior: Musicking Through Anti-Patterns in 3D Matthias Nowakowski and Damian Dziwis | |||
| Decorating Acoustic Ecology: Case Studies in Situated Performance Systems Finley Wegener | |||
| Atmospheric Interspaces: Environment-Driven Soundforms at the Edge Mikhail Mansion, Kuan-Ju Wu and Yasuaki Kakehi | |||
|
SNU Building 223 / Room 505 | Art-Science-Technology 1 |
14:20 – 15:40 | Art as Technology Kynan Hughes |
| Exploring Human Emotional Perception Through Biological Signals Sabina Hyoju Ahn, Nefeli Manoudaki, Ryan Millett, Iason Paterakis and Yoojin Oh | |||
| Where We Belong: Leveraging Participatory Design to Co-Create a Conversational AI Megan Young, Naveen Addanki, Bhagath Bondili and Malhar Dhopate | |||
| Technopoetics of the Cloud Althea Rao | |||
| Art-Science-Technology 2 |
16:00 – 17:20 | Projectional Dialogue: A Contemporary Discourse on Dialogue with AR-based Spatial Installation Hyeokjin Choi and Seung Hyun Cha | |
| Exploring Hybridity – Expecting Value. Scenarios of NFT Art Markets Timo Niemeyer | |||
| A Study on Prompt Engineering for Creating Abstract Imagery Videos Chang Gi Lee | |||
| Quantifying Emotions: An Artwork based on Neuroaesthetics and Artificial Intelligent Hangyeol Kang |
POSTER PRESENTATION – 27 MAY (Tue)
| Venue | Session Type | Time | Title |
|---|---|---|---|
|
SNU Building 223 / Room 206 | Poster |
10:00 – 17:20 | Imaginary Musicscape: A Study on the Production of Realistic Electronic Music Graphic Score for Virtual Reality Gwangmin Hong, Seungchul Hyun, Honam Kim |
| Summersnowglobalism Dawoon Park | |||
| Critiquing Structural Issues in the Digital Heritage Field through Satirical Narrative in Interactive Media Art: A Case Study of “Heritoid” Joonhyung Bae | |||
| Robot Reveals: The Influence of the Unboxing Experience on Initial Reactions to a Mobile Robot John Hakes and Jiabao Li | |||
| Regenerating the Choreographic Archive through AI and Machine Learning Tools Henry Daniel, Arne Eigenfeldt | |||
| Reducing technical requirements for remote collaboration of audiences and performers Manuel Bolduc, Alexandra Marin, Simon Chioini, Myriam Boucher and Eduardo A. L. Meneses | |||
| Speculative Poetics in Cine VR: Reimagining Documentary through Cinematic VR Operas Ella Raidel | |||
| The Soaring Serenity: an Immersive VR Artwork for Perspective Shift Kirak Kim, Hyun Woo Kim, Sun Ah Bae, Jung Won Lee and Sungyoung Kim | |||
| Depth of Dream: Creative Inspiration from Lucid DreamsPerformance Zhihui Cao, Tingmei Zhang, Sin Wun Sit and Ray Lc | |||
| ImproVibration: A Vibrotactile System for Conveying Weight-Sharing in Contact Improvisation to Enhance Audience Experience Youlee Kim, Youngjun Choi, Sungbaek Kim and Jinjoon Lee | |||
| The Need for a Digital Museum Framework in ODA: Lessons from the Hue Digital Museum, Vietnam Seohyeun Bae, Jieon Du and Jaehong Ahn | |||
| Understanding the Aesthetics in AI-Generated Images through the Concept of Decisive Moment Ryeowon Kim and Kyungho Lee | |||
| The Digital Spiral: Reclaiming Lost Cycles of Memory Ksti Hu | |||
| Voices of blessing: Reimagining the ‘Pagan Baby’ Tradition Through Art and Technology Tiago Franklin Rodrigues Lucena | |||
| Poems of my Heart Jurgen Ostarhild | |||
| Finding Kinesthetic Empathy: A Study to Discover Metrics to Measure Kinesthetic Empathy During Interactive Music Performance Ryan Ingebritsen, Daniel Evans and Christopher Knowlton |
DAILY SCHEDULE – 28 MAY (Wed)
| SEOUL ARTS CENTER | SEOUL NATIONAL UNIVERSITY | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Jayu Theater |
Hangaram Design Museum, Seoul Calligraphy Art Museum |
Cosmos Hall Gwanheo (SNU Building 28) | SNU Museum of
Art (SNU Building 151) | Power
Plant (SNU Building 68) | Sports
Education and Research Building (SNU Building 71-1) | Woosuk
Economic Hall (SNU Building 223) | ||||||||
| Exhibition Hall | Auditorium | Lecture Hall | Room 206 | Room 212 | Room 207 | Room 206 | Room 208 | Room 504 | Room 505 | |||||
| 09:00 – 10:00 | Registration | |||||||||||||
| 10:00 – 11:20 | Performance & Screeing | Exhibition | Screening (TBD) | Exhibition | AGM | Nam June Paik : Live Science Fiction in Movie (10:00 – 11:25) | Artist Talk 7 | Full Paper Altered Reality5 | Institutional Presentation | Full Paper Collective Action / Community1 | Poster | Full Paper Futurology | Full Paper Music Computing / Sound Art2 | Full Paper Techno-Human |
| 11:20 – 12:00 | Lunch Break | |||||||||||||
| 12:00 – 13:00 | ||||||||||||||
| 13:00 – 14:00 | Keynote Artificial Aesthetics: Generative AI, Art and Visual Media – Lev Manovich | |||||||||||||
| 14:00 – 14:20 | Break | |||||||||||||
| 14:20 – 15:40 | Nam June Paik : Live Science Fiction in Movie (14:20 – 15:45) | Artist Talk 8 | Full Paper Alternative Worlds1 | Panel | Full Paper Cultural Heritage1 | Poster | Full Paper Game Art | Full Paper Music Computing / Sound Art3 | Speculative Futures Student Competition 2025 | |||||
| 15:40 – 16:00 | Tea Break | |||||||||||||
| 16:00 – 17:20 | Nam June Paik : Live Science Fiction in Movie (16:00 – 17:25) | Artist Talk 9 | Full Paper Alternative Worlds2 | Panel | Full Paper Cultural Heritage2 | Poster | Full Paper Generative Art | FullPaper Speculative Design / Sustainable Future | ||||||
| 17:20 – 18:00 | ||||||||||||||
| 18:00 – 19:00 | Closing & Handover Ceremony (18:30-19:00) | |||||||||||||
| 20:00 – 24:00 | After Party @ Power Plant | |||||||||||||
ARTIST TALK – 28 MAY (Wed)
| Venue | Session Type | Time | Title |
|---|---|---|---|
| SNU Power Plant | Artist Talk 7 |
10:00 – 11:20 | Listening to Water: The Gowanus
Augmented Reality Walking Tour
Sarah Drury and Lucas Wozniak |
| Beyond the Edge of the Universe:
Surrealism 101 Justin Harvey | |||
| Make America Great Again and Again:
Intimate Voices from the
Traveling Suitcase Byeongwon Ha | |||
| EchoVision: What Is It Like to be a
Bat? Botao Amber Hu, Jiabao Li, Danlin Huang, Jianan Johanna Liu, Xiaobo Aaron Hu and Yilan Elan Tao | |||
| Artist Talk 8 |
14:20 – 15:40 | Body Oracle: Speculative Hieroglyphs for Collective Bodily Awareness Danlin Huang, Ke Huang, Cun Lin and Botao Hu | |
| Togetherness: Exploring Hate Speech Through Emotional Algorithms That Transform Text into Music and Visuals Filippo Gregoretti | |||
| House of MU: Textual Play with LLMs Andrea Kim | |||
| Queering the Digital: Spatial Orientations, Temporal Imaginaries, and Communal Aspirations Caitlin Fisher and Maureen Engel | |||
| Artist Talk 9 |
16:00 – 17:20 | Domestic Light: a near-completion Artist Talk Ian Winters and Weidong Yang | |
| To be the wind for the tree Natalia Fedorova | |||
| Necrochroma: Power, Exploitation, and the Ecological Impact of Color Adam Brown and Rebekah Blesing | |||
| LoveForm: Personalized Computational Craft Hye Yeon Nam and Brendan Harmon |
INSTITUTIONAL PRESENTATION – 28 MAY (Wed)
| Venue | Session Type | Time | Title |
|---|---|---|---|
| SNU Building 71-1 / Room 212 | Institutional Presentation 2 |
10:00 – 11:20 | The ACM SIGGRAPH Digital Arts Community: Cultivating Dialogue and Creativity Rebecca Ruige Xu and Bonnie Mitchell |
| The ISEA Symposium Archives: Celebrating 30 ISEA Symposia Bonnie Mitchell, Wim van der Plas, Terry Wong and Janice Searleman | |||
| Creative Ecologies Research Cluster: Current projects, underwater live streams and curated audio-visual works from Southeast Queensland Leah Barclay, Tricia King, Toby Gifford, Megan Williams, Marcia Grimm, Janine Fuller, Finley Wegener, Graham Beaumont and Joseph Burgess | |||
| The Société des Arts Technologiques (SAT): A Pioneer in Digital Art and Immersive Experiences Eduardo A. L. Meneses, Mourad Bennacer and Véronique Paradis |
PANEL DISCUSSION – 28 MAY (Wed)
| Venue | Session Type | Time | Title |
|---|---|---|---|
| SNU Building 71-1 / Room 212 | Panel Discussion 2 | 14:20 – 15:00 | Deconstructing AI in Artistic Practice Varvara Guljajeva, Mar Canet Sola, Erin Lewis and Ellen Pearlman |
| Chinese Cultivation Games and Daoist Practice Morgan Yu Hao, Pete Jiadong Qiang and Hugh Davies | |||
| Panel Discussion 3 | 16:00 – 17:20 | Re-thinking the Metaverse Toward Ecological Futures: A-cosmic Immersive Virtual Worlds? Pauline Brouard, Laurence Allard, Sungseok Ahn and José Halloy | |
| Enhancing Human Control: AI in Film and Animation Production Lei Wang, Hua Tong, Wenkai Duan, Leiyu Song, Xinyi Zhang, Zhaogong Zhang |
PAPER PRESENTATION – 28 MAY (Wed)
| Venue | Session Title | Time | Title |
|---|---|---|---|
| SNU Building 71-1 / Room 206 | Altered Reality 5 (VR/AR/MR/XR) |
10:00 – 11:20 | Indexing the Virtual Body in Pre-Game: an XR Essay in Six Parts Yvette Granata and Alina Nazmeeva |
| Bridging Past and Present: Rejuvenating Cantonese Opera through Overlapping Immersive Experience in Virtual Reality Shuai Zou, Boyu Li, Duotun Wang and Zeyu Wang | |||
| Mycorrhizal Strategy in CUT, CRUSH, DECAY: An Interactive Public Mural Anna Czoski, Julia Bruk and Laara Garcia | |||
| Bada Shanren’s Dadi Caotang: Exploring Virtual Reconstruction of a Lost Chinese Painting with Generative Artificial Intelligence Shumeng Dai, Kate Hennessy and Steve DiPaola | |||
| Alternative Worlds 1 |
14:20 – 15:40 | Portraying Dissociative Symptoms
through Gameplay Mechanics: A
Value-Oriented Game Design Framework Fitriani Revanda | |
| The Fun Palace, Cybernetic Possibilities and Minecraft Bart Simon, Gina Haraszti, Darren Wershler and Angelica Calcagnile | |||
| Check Self Out: Subverting Supermarket Surveillance Through Critical Game Design Practice Lucian Rodriguez Lovell | |||
| Designing an Eco-Education Pop-Up Store Using Stable Diffusion : Based on Key Concepts Hyeri Yoo and Yong Soon Choi | |||
| Alternative Worlds 2 | 16:00 – 17:20 | Evocative Intelligence for Interactive Spaces Kyle Duffield | |
| Organic Social Capital: Where Love is an Essential Labor. Cyan D’Anjou | |||
| Plastic Landscape – The Reversible World: Multi-Channel Video Art Installation using Neural Style Transfer Yoon Chung Han, Hung Tsai, Yeosun Kyung, Changmin Lee, Myeonghun Seong and Seong-Lyun Kim | |||
| [let’s.have]M[ore]F[un.in]A[rt.but.really.also.all.aspects.of.life] [[The Roots of Another Tower of Babel??]] Lyndsey Gillespie De Santana | |||
| SNU Building 223 / Room 207 | Collective Action / Community 1 | 10:00 – 11:40 | Conditional, Instructional and Generative Art to Encourage Stronger Bonds Between Caregivers and Artists with Disabilities Jeffrey T.K.V. Koh, Aditi Krishna Neti, Na Yeon Ko, Hung Yi Ho and Cardejah Zulkifli |
| Game Jam Diplomacy – The Enticing, Entangling, Expanding Role of Game Jams in Establishing Communities of Social Impact and Creative Praxis Lindsay Grace | |||
| Clay PCB – Eco-Feminist Decolonial Hardware Patricia Reis and Stefanie Wuschitz | |||
| Technological Design as Fermentation: Time, Collaboration, and Care Thalia Godbout | |||
| Symphonic Dissonance: Aesthetics of Connectivity as a Theoretical Framework for Designing Interactive Media Art for Climate Crisis Awareness Ryeowon Kim and Kyungho Lee | |||
| Cultural Heritage 1 |
14:20 – 15:40 | Wafer 0813: Exploring Alternative Roles for Generative AI in Future Digital Heritage Exhibitions Jun Yang, Reihong Wu and Jian Yu | |
| Challenges and Tensions in Digitising Living Cultural Heritage: The Case of Street Vendors in Vietnam Quynh Nhu Bui | |||
| “Incomplete Niwa Archives -anechoic chamber version-” Kazuhiro Jo and Rurihiko Hara | |||
| Historical Sonification of a Stalemate Soul: Seokjojeon Ilaria Fusaro and Sang Yong Kim | |||
| Cultural Heritage 2 |
16:00 – 17:20 | Tanka Culture AI Art Exhibition: A Case Study of a Culture-Specific AIGC Framework for Artistic Creation Zuona Chen and James She | |
| Production, not reproduction: Generative art as technoheritage Jasmin Pfefferkorn and Anna Calise | |||
| Documenting Digital Built Environments through In-Game Photogrammetry: A Preliminary Case Study Alberto Calleo | |||
| Participatory 3D Scanning for Cultural Heritage Preservation in Hong Kong Case Study Wing Shan Wong and Kachi Chan | |||
| SNU Building 223 / Room 208 | Generative Art |
10:00 – 11:20 | Walking with AI: Speculative walking as artistic practice Everdien Breken, Steven Devleminck and Sandy Claes |
| Yalinguth-Place is not separate from voice Chris Barker | |||
| Digital Sentiments: Transforming Loss and Memory Christine Bruening and Janna Ahrndt | |||
| Urban Screens as Mediators of Unity: Examining CDSA’s Aspirations for Global Dialogue through Media Art and Its Constraints Shujiao Xie, Ina Conradi, Yuelai Ruan and Susa Pop | |||
|
14:20 – 15:40 | Emotional Computation in Social Media — Comments Pusher Wenqiu Xu, Yuyang Jiang, Yi Zhang, Xiaofan Ruan, Xiong Gao, Lina Xu, Yuyang Wang and Pan Hui | ||
| “Things happen”: Rethinking our relationship with authoring tools through Non-Teleological Action Laureline Chiapello and Florian Glesser | |||
| Pac-Mom: Video Game as Practical Feminist Technology Scholarship Annina Rüst | |||
| Reframing Identity in the Digital Age: Exploring Asian Migration through Game Modification and Cross-Media Art Practices Yinglin Zhou | |||
|
16:00 – 17:20 | Can AI Recognize the Style of Art? Analyzing Aesthetics through the Lens of Style Transfer Yunha Yeo and Daeho Um | ||
| Infinitepedia: An Endless Encyclopedia of Imagined Creatures Zhihua Zhong, Xuanyang Huang and David Kei Man Yip | |||
| She Works, He Works: Critical Explorations of Gender in AI-Generated Representations Amalia Foka | |||
| Entanglement: an immersive art of an engagement with non-conscious intelligence Haru Hyunkyung Ji and Graham Wakefield | |||
| SNU Building 223 / Room 504 | Music Computing / Sound Art 2 |
10:00 – 11:20 | Mercurius: Freedom of migration, souls from place to place Elico Suzuki |
| From Flow to Fragmentation: A trauma-informed approach to represent-ing dissociation through gestural performance in Placeholder Sophie Rose | |||
| Resonance in the Polar Ether: AI-Generated Soundscapes and Planetary Interconnectedness Yunyoung Jang | |||
| Of sounds in an old wetland of the Magdalena River in Colombia Mario Valencia, Héctor Fabio Torres C. and Alejandro Ceballos M. | |||
| Music Computing / Sound Art 3 |
14:20 – 15:40 | Composing Complexity: A Case Study of Integrating Multi-Layered Audio-Visual Systems in Large-Scale Interactive Installations Iason Paterakis, Nefeli Manoudaki, Graham Wakefield, Haru Ji, Diarmid Flatley, Ryan Millett, Weihao Qiu and Marcos Novak | |
| Soundscape as Multisensory VR Worldbuilding in Batopia Yiou Wang, Yujie Wang, Chuhong Wang and Shaoting Zeng | |||
| Sonic Lunar Topographer: Sonification and Experimental Kinetic-Light Visualization of Hermite-A Lunar Crater Philip Liu, Eunhyeuk Kim and Moonjin Jeon | |||
| Vibrational Shifts: Transmuting Noise Pollution Through Taoism Jack Yang and Clarissa Ribeiro | |||
| Speculative Design / Sustainable Future |
16:00 – 17:20 | M(ol)AR, HYBRID LANDSCAPE: Radio
waves as an extended ecology.
Esteban Agosin | |
| The Poetry of Change: Integrating
Symbols from I Ching and
Speculative Process Metaphysics in Generative Art Yishuai Zhang | |||
| The Future from the Past:A Practical Study of Backward Speculative Design and Human-Computer Interaction (HCI) Based on Chinese Traditional Culture Yiwen Tseng, Ruo Chen Niu and Yu Chen | |||
| Hybrid Design Approach: Expanding the Concept of Naturoid to Contemporary Arts Yiwen Tseng, Ruo Chen Niu and Yu Chen | |||
| SNU Building 223 / Room 505 | Techno-Human |
10:00 – 11:20 | Technoetic Perception: Exploring Telematic Art in Taiwan Yu-Chuan Tseng |
| NA-Masses: A Portable Installation Through Embodiment to Speculate Geoengineering Future of Launching Natural Aerosols Yuting Xue and Elke Reinhuber | |||
| Digital Shadows Jie Sheng, Yanqing Gu, Ziqi Wang, Lan Ou and Ray Lc | |||
| Hear the Voice of Wind: A Virtual Reconfiguration of Transition at the Yeongdeunggut with 3D Point Clouds Mia Meeyung Chung, Seungmin Lee, Sungbaek Kim, Jinkyung Her and Jinjoon Lee |
POSTER PRESENTATION – 28 MAY (Wed)
| Venue | Session Type | Time | Title |
|---|---|---|---|
| SNU Building 223 / Room 206 | Poster |
10:00 – 17:20 | Instrumental Music Sonification by Dynamic Notation System Motoki Ohkubo |
| AI in ART – Image and Animation Generation for Short Film Production: A New Frontier in Electronic Art Peter Chanthanakone | |||
| Visualizing the Unseen: Digital Simulation and Immersive VR of Porcelain Firing Processes Xiaoqiao Li, Lai Man Tin, Tsz Fung Lam and Cheuk Kit Chung | |||
| Being There Without Being There Ron Yakir | |||
| Opera Media Transis – Transgressing Dualities Bălănescu Aura | |||
| Exploring Empathy and Public Connection Through AI Art Nagehan Kuralı Alan, Selin Özçelik Mörth | |||
| Exploring Temporality in the Acting Art of Actors in the Near-Future AGI: Presence and Representation Haeyahng Kim and Sangyong Kim | |||
| Demokritos: Interactive, Community-Centred, Self-Improving Shader Generation using Large Language Models Santiago Ferrando, Christian Clark and Tomas Laurenzo | |||
| Autoconstruction: an Urban Neo-Futurama of the Underpriviledged Reynaldo Thompson, Tirtha Prasad Mukhopadhyay and Sandra Cuevas | |||
| From object, hyper-object to the transcendental: The turn towards the “non-human” dimension in contemporary Tech-Art. Cheng Han-Yu, Pan Cheng-Yu | |||
| Implementation of Digital Technologies for Improving Visitor Engagement: Focusing on Immersion, Narrative, and Multi-sensory Experience Jieon Du, Cheeyoung Ahn, Yongwon Choi and Jaehong Ahn | |||
| The Trajectory of Interactive Art: The Case Study of the Ars Electronica Archives Raivo Kelomees | |||
| How visual tactility expands and transforms Hyunju Um and Hyunjung Yu | |||
| The Development and Modernization of Printmaking in Croatia from 15th century Europe Müberra Bülbül | |||
| Hyper Presence of the Non-Existent and Co-Creation with AI-Reincarnated Philosophers Predrag K. Nikolic | |||
| Epicurean Sound Grains: Entangling Ancient Atomism in Granular Synthesis Composition Nathan Carter, Mo Zareei, Jim Murphy |
DAILY SCHEDULE – 29 MAY (Thu)
| SEOUL ARTS CENTER | SNU | (TBD) | ||||
|---|---|---|---|---|---|---|
| Jayu Theater |
Hangaram Design Museum |
Seoul Calligraphy Art Museum | SNU Museum of Art | Photography Seoul Museum of Art, Buk-Seoul Museum Of Art | ||
| 09:00 – 10:00 | ||||||
| 10:00 – 11:20 | Performance | Exhibition | Exhibition | Exhibition | ||
| 11:20 – 13:00 | ||||||
| 13:00 – 14:00 | ||||||
| 14:00 – 14:20 | SeMA Visits | |||||
| 14:20 – 15:40 | ||||||
| 15:40 – 16:00 | ||||||
| 16:00 – 17:20 | ||||||
| 17:20 – 18:00 | ||||||
| 18:00 – 19:00 | ||||||
| 19:00 – 20:00 | ||||||